A Letter From John Doyle

May 5, 2010

John DoyleThe following is a letter from John Doyle who is heading to Vermont this weekend to perform at Higher Ground.

“Hello everybody…..I’m here at home with my family in lovely Asheville, NC on my last few days before taking the plunge into a 2 week solo tour, eating soda bread that I made and drinking copious amounts of strong Irish tea, the champion of all drinks.  I’ve taken up building stone walls in my back yard, which I must say is very fulfilling if not a little dangerous for someone in my profession but I’m taking care not to squish too many fingers before I come play.

Really looking forward to coming up to Burlington.  Mark Sustic has been extremely supportive over the years and I always look forward to the shows there.  Here’s a bit of what I’ve been up to recently:  For the last year and a half I’ve been the Musicial Director/Guitarist/Singer for the legendary Joan Baez, doing three 6 week tours a year.  It’s been an experience of a lifetime getting to know Joan, hearing her amazing stories, traveling the world with her and seeing how incredibly loved and respected she is worldwide.  I’ve recorded a few new or relatively new cd’s over the last couple of years, the most recent of which is “Exiles Return” with myself and my former Solas bandmate and friend, Karan Casey.  It was lovely to make this recording and we’re especially proud of it.  The title track is a song I wrote specifically for the record…

Liz Carroll and I had the proud honor to perform for President Obama, VP Joe Biden, Nancy Pelosi, and many other dignitaries at the annual St. Patrick’s Day Luncheon in Washington, DC March 17, 2009.  It was an experience I’ll certainly never forget…

Liz and I  were nominated for a 2010 Grammy for our duo recording, “Double Play” in the Best Traditional World Music category – we lost out to Mamadou D’iabate but still, pretty great to be the first traditional Irish artists to be nominated besides the Chieftains!  I was also named the “Best Traditional Artist” by Earle Hitchener, writing for the “Irish Echo”.  Jerry Holland, whom many of you probably know, lost a long battle with cancer and very sadly passed away this last year.  It was a tragic loss for the music and for me personally but I had the great fortune of playing and recording with him just a very few weeks before his passing.  This recording, “Helping Hands” is a stellar example of Jerry’s wonderful playing and personality – one of my all time favourites.

One of my main reasons for embarking on this solo tour is that over the past couple of years I’ve been writing a lot of songs and have really been hankering to get out and perform them.  So, I hope to see many of you there!”

John Doyle will be playing at Higher Ground this Saturday, May 8, 2010 at 7:30pm. Tickets are just $15. Hope to see you there! John  is also giving a pre-concert guitar workshop for intermediate and advanced players. Contact Mark Sustic for workship info at mrksustc@together.net.


Fiddles and flutes and drums, oh my!

March 8, 2010

Irish MusicAside from the 4th of July and Halloween, St. Paddy’s Day is one of my favorite holidays. Not just because its the one time of year that us Irish musicians are in demand, but also because all the great musicians come out of the woodwork to celebrate Vermont’s Irish-American culture in Burlington’s Irish Heritage Festival, a week long festival with music, lectures, movies, drama and dance.

The festival kicked off yesterday with William McKone speaking about John Lonergan and Burlington’s first St. Paddy’s day celebration. There is a slue of events going on throughout the week ending on St. Patrick’s Day when the Irish band Dervish takes the stage.

In between you can find penny whistle and drum workshops, sessions, lectures, children’s stories, movies and more. My two favorite events at this festival are the festival ceili and the Irish music showcase.

The festival ceili will be held on Sunday, March 14th from 1-3pm, and is less like a performance and more like a party where local musicians play for dancers in full regalia from the McFadden Academy of Irish Dance. They usually invite the audience to participate in a few of the set dances. The music is an open session for musicians who can play fast and steady.

This year the annual Irish Music Showcase celebrates women in Irish music. It takes place after the Ceili at 6pm on Sunday, with a session at Ri Ra the Irish Pub following the performance. The who’s who in Irish music will be performing and somehow I got the honor of playing alongside them. The show benefits the Tom Sustic Fund which helps families with children with cancer. So not only do you get to watch a performance with some of Burlington’s finest musicians but you get to help out your community while doing it.

These are only two of my favorite events this coming week, there is so much more. Check out the full schedule of events to find the events that suit your taste.Burlington Irish Heritage Festival

I hope to see you out and about and have a safe and happy St. Patrick’s Day!
Cheers!


A trip to Boston for some Irish music

February 10, 2010

Club PassimAs you probably know Boston has a huge Irish community, so seeing great Irish music is commonplace around Beantown. This past weekend was no different. Last Sunday I headed down south and visited one of my favorite parts of the city to enjoy some music from some of my favorite Irish musicians, John Doyle and Karan Casey, who flew in from various places after performing at Glasgow’s Celtic Connections.

They played at Club Passim, a very intimate folk music club in the basement of this cute little building in Harvard Square. The house was jam-packed with not an empty seat to be found. It looked mostly like a large basement surrounded by walls with uniquely painted instruments hanging on them. And though it felt like I was a human sandwich squished between unfamiliar bread it was still quite the amazing venue for such an intimate concert.

As you know, both John and Karan were part of the original band Solas and have been playing together for quite some time. What I loved most about watching these two perform, was that it was evident that they both seemed excited to be playing with one another. Karan had this sense of  “he’s got my back, I’m just going to sing my heart out,” as John lead and followed on the guitar (and sometimes bouzouki) creating rhythms and harmonies that complimented her poignant voice.

Most of the music they played came off their latest duet album, Exiles Return. Sprinkle in a few sea shanty’s and one of my Solas favorites Newrytown Highwayman and you got yourself a kick-ass show.

John Doyle

John Doyle and me at his show!

They were quick with the jokes, and rearranging the set list and it was clear they were having as great a time as we were. At one point they both were laughing so hard that they had to restart a song 3 times. To me that shows, humanness. It shows that even the best can have blunders and still perform an outstanding show. Karan ultimately ripped up the set list and I literally felt like they were in my living room just having a good time and playing music.

Though the venue was tiny and the waiter completely forgot to deliver our wine, it was truly a night to remember.


Music blogs, are they want you want to read?

February 5, 2010

I started this blog back in November to offer information about Irish sessions in Vermont.  I’ve tried to keep it strictly related to Irish music and music in and around Vermont. As I ponder each week about what to write about, I wonder what it is you’re interested in reading. Let me know so I can be sure I’m writing what you want to read. It will only take a few seconds:


Sessions at The Shoreham Inn

January 24, 2010

The following post is from a guest blogger, Paul Marangelo, a musician who hosts The Shoreham Inn session and here’s what he has to say:

Shoreham Inn Irish SessionI moved to Shoreham almost 6 years ago, realizing fully that I was putting myself in a potentially session-poor geography: smack in the middle of the orchard, dairy, more-cows-than-people belt of Addison County.  And over the first few years here, I did get weary of frequent trips to sessions in Burlington just to scratch my session itch.  But last winter, a chance contact with Cindy from O’Hanleigh co-incided with more serious thoughts I was having of trying to organize a local session.  And  I probably would not have even been thinking of trying to organize a local session if the Shoreham Inn were not across the street from where I live.

Gastropubs were made for sessions.  Or on second thought…. is it the other way around??? The answer is far from clear, but if you come to the ITM session at the Shoreham Inn, you’ll have far better insight to help pin down the solution to this head scratcher than if you pondered it from afar.   Domenic and Molly Francis, proprietors of the Inn, opened the lower floor of the Inn as a gastropub (which is an eatery style that is common in England) when they purchased the Inn about 6 years ago.  The food is great, there is a small bar, and Shoreham just may be the tiniest  village in the world where you can walk in off the street and buy a Guinness on tap.  It’s a great setting for an ITM session.  Every other Sunday, except during the warmer months (one a month) and November (when the Inn is closed), musicians come from as far away as the Burlington area to play here.  Playing at the Inn is almost like playing in a living room.  Cushy sofas threaten to engulf musicians, and have swallowed whistles whole.  There are no TVs to compete with.  Usually chairs in the room not taken up by musicians are be taken up by folks just listening to the music.  Sometimes the listeners overflow and sit on the stairs.   The ambiance is almost quiet at times.  Surprisingly, the session has been evolving into one that is song-intensive – more so than any other that I’ve participated in, which makes the event distinct, varied, and enjoyable.  Patrick Webb and the O’Hanliegh folks show frequently and have a large repitoire of songs that get throwin into the mix.

So for almost a year now, it seems to be working, and there are just enough musicains within a 20 mile raduis of Shoreham to make it work quite well, not counting to the folks who journey down from Burlington for the event farily regularly.  So come on down to Shoreham one Sunday and see what its all about, 6-8 PM.  Contact me to get on the e-mail list (pmarangelo@shoreham.net).


On music with John Doyle

January 22, 2010

One of the things I love about playing Irish music is that it’s all about the music and sharing tunes. Some of the tunes we play are literally hundreds of years old and have been passed down from generation to generation and from country to country. I mean seriously, isn’t that amazing? Most of the Irish musicians I have met along the way have been nothing but enthusiastic about sharing what they know. And I think that is what makes this genre so special, other than the tunes of course.

John DoyleI recently had the opportunity to chat with master Irish guitarist, John Doyle while he packed for his trip to Celtic Connections in Glasgow, Scotland. We talked about his recent Grammy nomination, his life as a musician and shared thoughts about playing in sessions.

John was an original member of the band Solas, has played for the president, continues to play alongside  some of the world’s best traditional Irish musicians and now both he and Liz Carroll have been nominated for a Grammy award for their latest CD In Play.  It’s no wonder he’s one of the most sought-after session musicians this side of the pond (and probably the other side too).

Born in Dublin, Ireland, from a musical family, John has been playing professionally since the age of 16. John’s grandfather played accordion, his father was a singer and also played accordion. And although he loved the accordion, he was drawn to the guitar. “There was a guitar in the house so I started playing. It was right-handed guitar so I played it upside down for a few years.”  Some of the musicians that inspired John include Arty McGlynn, Paul Brady, Planxty, the Bothy Band and various English folk players.

John told me that what he loves most about being a musician is the community of people he meets along the way. “It’s a fantastic community of people,” he said. “I love to travel and I love to play music.” His passion for music and people is truly evident when you see him play. He has a rhythmic style like no other with a clear but bassy sound. He uses heavy strings on his guitar. The bottom string is 70 when they are usually 56 and he plays in Drop D.

We spoke a little about playing in sessions and how magical it can be. In what other setting can you sit down to share some music with perfect strangers and all know the same tunes? When all the musicians are in sync it can be quite mesmerizing.  “Playing music has a zen like quality to it” says John. “You’re in the moment.”

When asked to give advice to players who want to be better at playing sessions he offered the following: The secret to getting better at playing in sessions is to play with people better than you, listen to good players, and practice. You can take lessons but in the end only you can teach yourself how to play.

John has had a whirlwind of a career and continues to wow audiences with his percussive playing, his sweet Irish voice and his jovial personality.  He didn’t know when he would be back in Vermont but feel free to check his website for tour dates: www.johndoylemusic.com. I wish him the best luck on the 31st in hopes that he goes home with the Grammy.  I also hope to catch a performance of him and Karan Casey next month at Club Passim in Cambridge, MA and I hope to see you there too!

Ta-ta for now.


Learning how to session from a six year old

January 7, 2010

Going to a session is much like a kid going to a play-date. You hope some of your friends will be there, you wonder if they’ll play anything you know and you pray you remember how to play.

For the holidays my husband, my 6-year old step-daughter and I visited my sister who has 2 kids and who had 2 friends over all under the age of 8. As you can imagine it was a bit chaotic. What was interesting was watching these children get to know each other and work out what they had in common, what they were going to play and who was going to be in charge of the group. Sound familiar?

Some of the kids knew each other beforehand and some didn’t so they had to work quickly at reacquainting themselves and finding out their commonalities. It didn’t take long for them to decide to put on a music concert for the adults, complete with dress-up costumes, instruments and lyrics. They figured out quickly what tune they would play, who else knew it and which one would direct.

All dressed up in pink and purple princess dresses, butterfly wings, plastic high heeled shoes and a battery operated “electric” guitar, one of them screamed “Get ready for the rock concert” and so began the show. As they started wiggling their bodies to the tune of “put your hands in the air,” I realized that there was one leading the performers, one singing and playing the music and one just dancing around like she had ants in her pants. But they all seemed to be working together to create one sound.

Though they weren’t playing anything close to Irish music, it did remind me of what playing music is all about. It’s about having fun. It’s about connecting with someone else and sharing something that makes you feel good. Aside from the fact that it was completely adorable, I was blown away by the courage of these little girls to put on a rock concert complete with costumes and written words that took all of about 1/2 hour to conjure up. They were having so much fun and because they were, so were we.

So the next time you find yourself worrying about what you’re going to play and who is going to be there and whether or not you’ll remember your tunes, remember why you started playing in the first place; because its fun. Stop worrying about whether you’ll sound good or if someone else will know the tune you’re playing, play because you love it, play because you want to share the music. Play because you can.

Happy sessioning!


An Irish session at an Irish pub

December 21, 2009

I don’t know about you but Christmas shopping can really try my patience. Too many lines, too many people and I can never find what I want. I’m not sure what you do to calm your Christmas shopping nerves but I did what any good Irish musician would do, I headed to Ri Ra The Irish Pub for a Guinness and some tunes.

There’s really nothing more fun than playing Irish music at an Irish pub, especially after a hard day of, well, shopping (I know, tough life huh?).

This particular session takes place twice a month and luckily it landed on the very day that I decided to unsuccessfully shop for my loved ones.  It was the perfect end to a not-so-perfect day.

Ri Ra is one of my favorite locations for a session. First of all they pour a damn good Guinness and second of all the audience is very welcoming, which isn’t to say audiences aren’t welcoming anywhere else. It just seems like more people feel comfortable tapping their toes or even getting up to dance to Irish music when they’re in an Irish pub. It’s almost expected isn’t it?

Because of the way the building is set up, the session circle feels intimate. They clear the upper level for us, so it’s almost like we have our own little private area to play and yet everyone in the restaurant can hear the music. Though the football games are on in the background many a listeners can be found standing around the stage, clapping at the ends of sets and even cutting up the rug, as they did yesterday. The host Kerry Alley, makes sure everyone gets a chance to start a tune or two. So be sure you have some tunes to share.

Check out photos of the Irish session at Ri Ra here.

As with any session there is no concrete set of tunes to know but if you know any sets from the recording of  Live at Mona’s by Patrick Ourceau, you should be just fine.

If you want to be included on the email list to get a reminder email Kerry_alley@yahoo.com. The session takes place every other week so the next one is Sunday, January 3rd from 5-8pm. Hope to see you there!


10 Irish session tunes you should know

December 10, 2009

Have you ever found yourself mustering up the courage to go to a session only to find yourself frustrated because you don’t know any of the tunes? You’re not alone. It has happened to us all at one time or another. There are about a bazillion tunes out there and most session musicians have thousands of them in their repertoire. So how cold you possibly know which ones to play?

Though each session has a different set of core tunes, there are a few tunes that if you have in your quiver you’ll be able to play at pretty much any session. Here are some that I have heard played in almost every Irish session I’ve gone to:

    1. Silver Spear
    2. Mason’s Apron
    3. Star of Munster
    4. Congress Reel
    5. Bucks of Oranmore
    6. Lark in the Morning
    7. Cannaughtman’s Rambles
    8. Cliffs of Moher
    9. Pipe on the Hob
    10. Goat on the Green

      What are your favorites?


      Richmond Session at On the Rise Bakery

      December 3, 2009

      If you haven’t yet reached the speed of playing reels at 120bps, then the session at On the Rise Bakery in Richmond is the one for you. The atmosphere is relaxed, the players are welcoming and the session was designed for all players who just want to share a tune or two.

      Whether you’re new to the session scene or you’re an experienced session-er, this is a great place to meet new people and play some tunes at a slightly slower pace.

      This session emerged from an Irish Session Repertoire class taught by Button Accordionist, Hilari Farrington and Piper, Benedict Koehler, at the Summit School of Traditional Music in Montpelier. The session founders wanted a place to share the tunes they learned in class and explore new ones while also offering a welcoming and inclusive atmosphere for those not in the class.

      Although different sessions have a different set of core tunes that are frequently played, the fun part of a session is playing a tune and just letting the next one float off your instrument without any planning. However, some of us late learners are not that crafty yet so we plan ahead and practice tune-sets.  Here a list of some of the tunes that you might hear at this session. The tune-sets will not, of course,  be played in this order and might not even be played at all but at least you get the idea. And if you know any of these tunes you can rest assured that if you start one of  them someone else will play along.

      • Glen Allen (Kilmaney)/The Old Copperplate
      • Cronin’s/Murphy’s
      • The Road to Lisdoonvarna/Imelda Rowland’s
      • The Lilting Banshee/The Old Favourite
      • Dunphy’s/Chief O’Neill’s
      • The Wise Maid/Toss the Feathers
      • I Buried My Wife and Danced On Her Grave/Will You Come Home With Me?
      • Little Fair Canavans/A Fig for a Kiss
      • Ballydesmond Polkas
      • The Goat On the Green/The Pipe On the Hob/Johnny McGreevy’s
      • O’Connell’s Trip to Parliament/The Torn Jacket
      • Cooley’s/The Earl’s Chair
      • The Hare’s Paw/Knocknagow (Scotch Mary)/Templehouse

      Typically the session takes place on the last Thursday of every month though the last couple of months have been a bit mixed. This month’s session is on Monday, December 7th at 7:30pm. Check www.ontherisebakery.net for a full music schedule.

      Also, you should know that the bakery will not be serving dinner on Monday. They serve dinner Tues-Sat so eat before you come. You can still enjoy the libations though.

      Hope to see you there!


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